Melissa Harris-Lacewell, a womanist and professor at Princeton University engages with Gloria Steinem during this recording about the intersection of gender, race, and political issues. You’re not going to hear much better ass-kicking than this, folks.
The beginning 10 minutes is all news stuff, but THEN the awesome stuff hits. It’s 37 minutes total and WELL WORTH it. I played it while I cleaned my apartment. Random “WHOOHOOO!” and cheering erupted from my dusting as I listened to this brilliant Harris-Lacewell dominate the 2nd wave feminist icon, Steinem.
With Sylvia’s latest and greatest post (where the most significant quote of 2008 has already surfaced: “Most of these people are wondering, ‘What the f*** is a blogosphere?’”) I have been thinking about accessibility and its relation to “real life” feminist activism.
Let’s face the truth of our lives. As you read this, we both are veiled with anonymity while we both live our supposed feminist ideals in the real world. In the real world, there are dinners that have nothing to do with the internet, friends who think online dating is weird let alone building communities and activism, and families go about their merry way with no clue that their daughter is a feminist blogger. As you read this, I am breathing somewhere else and choosing what milk to buy. As I do that, you have likely moved on from my site, gotten up from your chair and made 42 decisions off line.
The activism online is not about a wish that the online world will transform the offline world. The point of my online feminist presence is that my conscience, my awareness is heightened by other’s writings, informed by their experiences and power so when I am out buying milk, I think about the rights of migrant workers as my hands smooth over fresh produce and cartons of milk. The point is that you think twice when you meet a Filipina and assume a ten point bullet of what it means for her to be Asian and Asian American and how the two are different. The hopes of my online feminism is that the readers are affected, empowered, stimulated and in turn, that stimulation provides some sort of change in the real world – in the classroom, in the bedroom, in our relationships, at the kitchen table, at social gatherings, town hall meetings, in our thoughts.
So how accessible is feminism?
My question comes back to how accessible am I?
How accessible are my words, my ideas and plans, my language? How important is accessibility? Most important, I have found.
I think back to my own journey as a young woman, how scared and uncertain my opinions were about the world. Knowledge of the world rings different than experiencing the world and I often wonder how much more enriching my journey would have been had I known more questioning, seeking, struggling womyn of color along the way. My confidence would have longevity, I assume, my doubts a bit more curbed, perhaps.
Accessible feminism is not just about reading ability on our blogs, or how much common ground we can find together. It reaches beyond waived conference fees and essay scholarships.
If only it were that simple. Something tells me it has to do with questioning womyn who boast a title as a “professional feminist.” WHAT is that? Please, enlighten me on that one.
Being accessible requires adamant loyalty to staying on the ground: inspiration without the lofty, academic jargon; self-analysis lens without self-centeredness.
I believe that accessibility is about putting in the time now in our work so it remains relevant, streamlined, and foundational for future generations. Gloria, Lorde, hooks, Maracle, M.L. de Jesus, Zia invested themselves into accessibility by centering the timeless issues of their time that would eventually be the timeless issues of our time: racism, poverty, violence, and homo/transphobia.
Their accessibility is reflected in their prophetic writing, making certain that we understand that the mountains we climb are the same mountains they faced. Their words become our food. Their lives became our bridges. These womyn marked inclusive, radical, unafraid and rocky terrain as their land. No journeys were easy. Nowhere in their works did I ever read it was going to get better or hear loose promises of peace in my lifetime. I only read the necessity to give voice to what was happening and the instruction to put to rest all that contributed to womyn’s silence.
Without accessibility, there is no translation between blogs and “real world” action. Greater accessibility must remain a consistent priority for feminists. There is always a womyn out there searching, needing, and being pushed into a corner. Always. And maybe someday she’ll come looking for an everyday womyn who struggles with womynhood, with her identity, and her choices. Maybe she’s looking for someone who’s unafraid to admit she’s very much afraid, without agenda and uncertain as hell. Maybe that’s one thing that I can do because she likely won’t find herself on the shelves of Barnes and Noble or ever get to a class where she will likely be misunderstood. Maybe I can help by just putting my voice out there and saying
You are not alone. Not by a long shot.
It is not so much her responsibility to find me, but more my responsibility to prepare a space so she can be heard, and live, and breathe. I do this in hopes she will unfold and do it for someone else.
That is my feminism. That is my accessibility.
I meant to write today, but instead got caught up in these words:
BFP in 08!
BFP’s got a post up at her site calling on Asian American/Pacific Islander women who are willing to donate 20 minutes of their time to take a survey conducted by the Rollins School of Public Health of Emory University in Atlanta, Georgia. The questions pertain to sexuality, experiences of sexuality and racial identity. I’m in. You should be too, if you fit the criteria. Pinay power!
Speaking of Pinay power, Jenn is starting a great dialogue and space going at Reappropriate about APIA feminism. Hells YES is what I say to that. With ever-growing strength around Chicana and Latina feminist communities, Black and African-American fem/womanist groups, and Muslim womyn – just to name a few – it’s great to see Asian American womyn standing up and saying WE ARE HERE.
I am Here.
Pinay power.
Inspired by Sylvia in a non-public discussion, the question of when do I want to be a feminist settled my rear end into a couch.
This post is number 501.
For BA
For Sylvia
Sometimes defense is all we have left.
For today,
Sudy
I wrote this poem in my least favorite mood: edginess. My creativity stalls why it runs into thorny patches, but I opened up, and this is what came out.
Bakit?
Why is it not enough to simply write as a womyn of color?
Why does it change once I write of color after womyn?
like its merits decrease
or its potential increases
I’m brilliant cuz I’m brilliant
not cuz of the sheen of my hair.
I am why.
Why the echo
when say I womyn
My define
so very fine
Womyn
and I write from the insides
and I say,
Yes
I say
it’s not too much
nor not enough
I am a womyn
owning up to my race
-ism
YES
the internalized inferiority
the internalized superiority
that
YES
Skins me alive everyday
And you ask
“Bakit”
“Why you so mad?”
Bakit?
Bakit?
Why?
because I can’t say my own damn truth without
“angry”
following
“Women of color”
“Angry”
world goes YAWN.
and shirks, What else is new?
I’ll tell you what’s new
We the “Women of Color” you love to ignore then agitate for your leisure
are tilling into deep magenta brown soil you never seen
and our tongues,
pink and blistering,
cool and wide,
are sipping honey from sweeter, higher
swinging hives
than your neck can strain
And the “Women of Color” writers
that you flick off with your shoes
are reading aloud to towns and towns
with cackling and krumping to music
…too something
for you to hear
So spit your questions onto each other
and not at me.
I’m busy with other things.
Angry, sure.
Why not.
I’m angry, but I’m a lot of other things too.
Do you need to know all of who I am before you believe me?
Do you even want to know who I am at all?
That’s your question, not mine.
Cuz I know you.
I know you from those glossy cover history books my short arms had to carry home.
I know you from the holidays we gotta jump jump up and down for
I know you from the whys and cries and jiggly thighs you write about so much and call Women’s Issues
I know you from the realtor and the delivery boy
I know you
Do you know me?
I think your books are shallow.
I think that you are not capable of deepening work that contributes to anti-racist feminism.
I think your books are flat out flat and, yes,
I have read them
And your tired Who Me? Poor Me? Love ME!
sounds like that ol’ record my Pops used to play
every Sunday morning at 8
after a while, I stopped listening
and slept with peace
Why’s it not enough to say
No Me No Like Your Stuff
without being asked for my resume
and literacy skills score
Instead of quarreling over the responses
why not analyze the question first
and look at the cornering, stereotyping, sabotaging, limiting, narrow scope
of your own questions
Let’s look at the contaminated wood
of the house before you
kick out the guests who are
coughing, spewing
Allergic
dying from the air
you provide
And before you wonder why your branches
are being cut;
remember that the land your roots settle
was stolen.
From the beginning,
the wrong story was told.
____________________________________________________________________
‘Bakit’ is Tagalog for ‘Why?’
She’s the women who is bringing up charges against H&M for discrimination a few month ago. After encountering an H&M associate with a slew of racist and sexist comments, Richards has taken action.
H&M has now recruited a Filipino lawyer Joseph J. Centeno, to represent their case. Centeno, a partner with Obermayer Rebmann Maxwell & Hippel LLP in Philadelphia, is – GET THIS – Commissioner to the Philadelphia Human Relations Commission. He is friggin’ in charge of enforcing anti-discrimination ordinances and HE’S THE ONE REPRESENTING H&M.
I’m trying not to drop f-bombs, but WHAT THE —- IS THIS?
So the case of Filipina vs. H&M and Filipino lawyer is set.
I can officially say that this disgusts me to the bone.
Centeno – This is a slap in the face to Frannie Richards and to many Filipinos everywhere.